#17 Theism and the Weight of Time
Why I struggle with the argument from design
I am not a militant atheist. But from time to time, I encounter a particular argument from friends—delivered with sincerity, even emotion—that I find difficult to accept.
The argument goes something like this:
Look at this amazing world we live in. Its beauty, its complexity, its intricacy—surely it must be evidence of a supreme being, an intelligent designer. The world could not possibly exist without one.
It’s an argument that has a certain intuitive appeal. I admire it, I respect it, and in some ways, I even envy it. But when I look more closely, the reasoning does not hold up.
The Weight of Deep Time
Science and paleontology tell a different story. The earliest evidence of Homo sapiens dates back about 300,000 years. That may seem like a long time—until we place it against Earth’s history.
Life has existed here for roughly 3.7 billion years before the appearance of humans. That is an unfathomable stretch of time—millions upon millions of species evolving, flourishing, and going extinct long before we arrived.
So if one accepts the theistic premise, what does that mean? That a supreme being spent 3.7 billion years preparing the Earth for the arrival of humanity—His special creature, made in His image? I doubt most believers would be comfortable with that implication. It makes the story less one of design, and more one of delay.
The Marvel and the Delusion
This is why the argument from design feels weak to me. The marvels of the world are not evidence of God. They are evidence of nature itself: blind, iterative, relentless, and indifferent.
And yet—I do not dismiss the theistic impulse. I admire its confidence, I respect the comfort it gives, and I even feel a pang of envy at times. But I cannot share it. For me, it is a beautiful delusion, one I would never try to argue someone out of.
This essay, then, is not a refutation aimed at others. It is simply my own attempt to clarify the issue for myself.
This article resonates with themes explored in The Metropolis Organism — a video series examining cities as literal biological systems, where human beings function not as masters, but as necessary organelles in a living urban body.

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